- April 2011 - Sound On Sound - Livid Instruments Code - January 2011 - Sound On Sound - Live Techniques: Preset Management - December 2010 - Sound On Sound Smart Guides: DAW Power User (Live Tips, DAW Controllers) - October 2010 - Sound On Sound - Faderfox MIDI Controllers - September 2010 - Sound On Sound - Live Techniques: MIDI Control - August 2010 - Sound On Sound - Akai APC20 - May 2010 - Sound On Sound - Live Techniques: More Max for Live - April 2010 - Sound On Sound - Livid Instruments Ohm64 - April 2010 - Sound On Sound - Live Techniques: Max for Live - February 2010 - Sound On Sound - Max for Live - November 2009 - Sound On Sound - AudioMulch 2.0 - June 2009 - Sound On Sound - Ableton Live Suite 8 - September 2008 - Sound On Sound - Monome 64 - August 2008 - Sound On Sound - Cycling '74 Max 5 - March 2007 - Recording - DAW Details: A Newcomer Looks at Ableton Live - October 2006 - Sound On Sound - GypsyMIDI - September 2003 - Recording - E-mu Command Stations - October 2001 - Recording - Cycling '74 Max 4/MSP 2 - March 2000 - Recording - Fade Out: Software Ownership and Other Oxymorons - December 1999 - Recording - E-mu Audity 2000 Sound Module - November 1998 - The Mix - Opcode Max (by Ian Waugh; CASSIEL sidebar) - 1996 (?) - Future Music - The R-8 Drum Machine (retro article) - December 1995 - Sound On Sound - Sounding Off - November 1995 - Sound On Sound - CASSIEL: Music and Movement (MIDI and Max for contemporary dance) {snip-tree:Articles} 2011-05-02 10:08:16.287 2006-09-20 16:28:05.0